罗丹的情人

简介：商会会长莫念先的儿子莫杰从海外学成归国，莫杰一回来就开始搞起了创业，卖品牌卖想法，客户却并不太满意。莫念先也觉得儿子只是在胡闹，于是他设计“绑架”了莫杰和他的好兄弟蓝天，并把他们直接丢在村里，让他先把家里的养螺厂经营起来。　　莫杰和蓝天借了一身少数民族的服装偷跑了出来，莫杰为了脱身不得不男扮女装，正巧这时，村里的书记韦菲菲和作家米乐凡正在村里，他们偶遇并上演了一 出“抓流氓”的乌龙闹剧。四个年轻人的爆笑故事就此开始……　　四个人一起成长，想办法为村里的螺蛳粉产业做宣传推广，在此期间，他们遇到 了重重的困难和各种各样哭笑不得的乌龙事件，但是他们通过自己的乐观和积极向上的精神，最终结合新兴的电商直播宣传，让螺蛳粉厂正常运营了起来，为村民们致富，而两对性格迥异的男女也慢慢暗生情愫。

简介：影片《不二土夫子》主要讲述了男主角皇甫吉赫（马驰饰演）为了阻止村花杜鹃（王婷饰演）嫁与他人，从而夸下海口称自己的爷爷发现了一个有诸多珍宝的古墓。因皇甫吉赫家中确有一件真品，故而大家对他的话深信不疑。在利益的驱使下，当地的镇长、专家、开发商都开始加入这个编谎言的行列。而这个虚幻的谎言还引来了当地民间盗墓组织的觊觎，他们为了挖宝绑架了皇甫吉赫，一出盗墓闹剧就此上演。随着闹剧愈演愈烈，公安机关的介入使真相逐渐浮出水面，最终镇长被免职，开发商心灰意冷放弃了开发，盗墓贼被抓，皇甫吉赫也被教育改正。一切重回原点，皇甫吉赫只能眼睁睁看着杜鹃嫁给他人……

简介：1957年，大学生林相俊（吴升一 饰）来到北海道，拜访父亲的好友松本秋男（滨村纯 饰）。在松本先生的家里，他见到了对方正在念高中的养女伽耶子（南果步 饰）。十数年前，二次大战结束后的混乱时期，伽耶子被日本人的生身父母抛弃，后被作为朝鲜人的松本夫妇收养。短暂的相遇，让相俊和伽耶子对彼此都有了隐隐的好感。此后他们虽然身处东京和北海道两地，却依然通过信件交流心声。然而战争、民族等等因素宛如无形的大墙，横亘在两人的中间。相俊的父亲奎洙（加藤武 饰）无法忘却民族的屈辱和仇恨，即使作为战胜的一方仍被创痛所折磨。伽耶子的养母虽然是朝鲜人，但不愿女儿和朝鲜人相恋，坚决反对她和相俊的恋情。爱情看似自私，毕竟又不是两个人的事……　　本片根据李恢成的原作改编。

简介：描述一个骑兵队的斥候与印第安酋长之间的敌意因一场格斗而化解，双方并签下和约。

简介：电影讲述了上世纪九十年代的哈萨克小镇，四个少年各自的生命之路。扎哈拉斯正在备受父亲的煎熬，后者因曾是一个诈骗犯而找不到工作，为了帮助父亲，他不得不在玉米加工厂打工。巴拉潘有一把好嗓子，能够将“万福玛丽亚”唱的娓娓动听，然而校园生活教会他的是使用自己的拳头而不是声音。扎哈巴则在流浪在村子里的垃圾堆中，寻找可以卖的废金属，他与其他三名同龄离家出走的男孩子睡在废弃的隧道中。阿斯兰正在为医药学努力，然而当他说服自己的女朋友堕胎之后，他的人格发生了彻底的改变。　　A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016

简介：夜深人静，荒郊野外，以闹鬼著称的“九弯十八拐”，阿坚和汉声两名司机驾驶卡车送货途经于此，突然在野地看见一个背着大口袋的可疑人影。二人怀疑有人弃尸，正待细看之时竟发现一名身穿白衣的女子张着双手向他们飘来，二人吓得连忙逃走。此时此刻，该女子不知自己已经被人杀害，变成冤魂，少顷便被鬼差带到阴曹地府，见识了各种奇形怪状之鬼，并最终明了现在的状态，不禁愁上心头。另一方面，阿坚与汉声对昨夜怪事念念不忘，他们相约次日来荒野一探究竟。谁知尸体没有找到，却被女鬼误认是杀害自己的凶手。　　当晚，怀着仇恨的女鬼找上门来……

简介：节目主持人吉恩在斯坦福大学的儿子亚当（22岁）回到法国巴黎，亚当与吉恩的下属有旧情。亚当去母亲家，见到其文学教授男友、男友女儿米拉（17岁）。亚当带着米拉出去玩，两人酒后后发生关系。第二天早上，米拉提起强奸控诉，亚当一开始否认性交但承认口交。庭审交锋激烈，证人各抒己见，最后亚当被判有期徒刑五年缓刑。

简介：A Lifetime Network movie Stacey, is a police officer who works child abduction cases, and is suffering from PTSD due to her last case. Shortly after returning back to work Stacey's teenage daughter Sarah is abducted. Even though Stacey is too emotionally involved she may be the best cop for this case...or is she With a glory-seeking co-worker hindering her every move and her family worried about her mental health will Stacey be able to do her job and rescue her daughter from an emotionally unstable abductor.

简介：Sophia, a smart but quiet high schooler, strikes up a friendship with a new girl in class, but the girl begins to disrupt the lives of Sophia and her family. Sophia is then forced to uncover her friend's past and learn the truth before it's too late.

简介：Danny is a content truck driver, but his girl Peggy shows potential as a dancer and hopes he too can show ambition. Danny acquiesces and pursues boxing to please her, but the two begin to spend more time working than time together.

简介：电影讲述了一位在异国他乡长大的小女孩回到中国的感人故事，通过学习中国文化，感受中国的人情和温暖的热土，最后决定留在中国的情感故事。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.