哈利·波特与魔法石国语

简介：少女朱恩（斯托姆·瑞德 饰）为了寻找离奇失踪的母亲（尼娅·朗 饰），展开抽丝剥茧般的互联网跨国追踪。巨大的信息量浩如烟海，未知的危险在暗中潜伏，朱恩能否找到真相，妈妈能否平安归来？

简介：年轻英俊的美国大兵巴利（特罗伊·加里蒂 Troy Garity 饰）在脱衣舞俱乐部遇到美艳舞者，同伴怂恿巴利搭讪看是男是女。巴利很绅士的和对方攀谈，同时没有把战友的下流赌注讲出来，从而赢得这位叫亚当斯（李·佩斯 Lee Pace 饰）的变性舞者好感。一见倾心的两人开始交往，他们感到很幸福。巴利的室友费希尔（肖恩·海托西 Shawn Hatosy 饰）十分嫉妒，不断挑衅生事，并最终唆使新兵用球棒残忍结束了巴利22岁的生命。7月4日是美国国庆日，亚当斯正在庆典晚会上大放异彩，而在异地的寓所巴利已倒在血泊中。当摘得桂冠的亚当斯得知巴利的噩耗后悲痛让他甚至无法站立。他弯下腰蜷缩成一团，绝望的哭泣，仿佛身体每一处留下巴利痕迹的地方都渗透出被切割凌迟的苦痛......　　本片根据真人真事改编，讲述一位美国士兵因爱上变性舞者而惨死在战友乱棒下的震撼悲剧。由获得过奥斯卡的弗兰克·皮尔森执导，入围当年金球奖最佳迷你剧集奖，艾美奖最佳导演奖，以及全美独立精神奖最佳男主男配奖等。

简介：2008年，怀着梦想来到董亚雯深圳寻找工作，几经周折，她应聘到一个岛上的蚝场工作，她被男主角江海城深深吸引，但海归江海城把亚雯丢在岛上，自己却在女朋友父亲的科技公司工作，董亚雯进退两难。　　此时，曾一起应聘认识的子轩主动来帮助亚雯，两人坠入爱河，海城的父亲江叔发现后向海城告密，打算把子轩赶走，海城的女朋友出面解围。　　在亚雯的管理下，蚝场迅速扩大，但城市发展和蚝场互相冲突，蚝场面临搬迁，亚雯把计划书送给海城，见识了海城研发的现代科技。子轩是独生子，在家人压力下，子轩和亚雯分手。　　亚雯和海城的情感和创业故事结果如何，电影为你一一解说。

简介：小野和大介约定，为了应援棒球部冲击甲子园，加入吹奏乐团为棒球队员大介加油，二人各自经历挫折，最终找到自我。

简介：为出位，不惜以生死作赌注，谁知走上一条不归路。王文杰自幼在乡间长大，向往城市繁华绚烂的生活，于是不理父亲的劝告，决与女友翠儿和挚友伟忠离家到市区闯荡。文杰众人追随「九龙之虎」刘坤，但一直未被重用。为了搏出位，成功闯出名堂，文杰接受要以生死签来定的任务。一个错误的决定，亲友尽丧，文杰悔不当初，但已恨错难返，心中的怒火却缓缓燃起……

简介：年轻男模大卫以自己的偶像，著名服装设计师奥斯卡为目标，全心投入模特行业，却在一次培训走台时意外摔倒而患上臆想症，从此认为自己是机器侠，到处“行侠仗义”。深爱他的女友朱莉和一群仗义的朋友，有模特公司的同事，还有为了戏剧梦不计报酬的小群演们……他们制定各种方案配合，扮成机器侠世界里的各类臆想出来的角色，从未戳穿真相，外界都以为朱莉才是患有臆想症的人，甚至差点招来公司对手的陷害。奥斯卡出于内疚也暗中相助。直到最后，一次阴差阳错间，大家在行动中碰到了真正的坏人，大卫为保护朱莉受伤昏迷……

简介：故事发生在1943年，日军的屡屡侵犯打破了朝鲜国民的宁静生活，一时间硝烟四起，百姓们失去了赖以生存的家园，过着流离失所的悲苦生活。居昌郡的一个小小村落里，生活着名为正敏（姜荷娜 饰）的十四岁少女，正敏出生在一个平凡但恩爱的家庭中，从小到大都沐浴在父母慈祥的关爱之下。　　战争的到来结束了正敏无忧无虑的生活，某日，日军占领了村庄，不由分说的将正敏掠走送上了开往日本的火车，和她同行的，都是一些和正敏差不多岁数的少女，每个人心中都惴惴不安，不知会有怎样的命运等待着她们。正敏和其他少女们沦为了日军发泄兽欲的对象，过着暗无天日的悲惨生活，然而正敏内心里有一个无比坚定的希望，那就是活下来，重返故乡。

简介：本剧讲述了来自巴黎问题郊区的三兄弟的故事。苏雷曼是巴黎的一名学业有成的法律系学生。他在一场著名的辩论决赛中遇到了丽萨，辩论的主题是政府对于郊区现状的责任。丹巴是三兄弟中年龄最大的，他在街头混迹，以贩毒为生。他们 15 岁的弟弟努姆克仍在努力寻找自己的出路，他必须决定跟随哪一位兄弟的脚步。一场战斗，一声枪响，一场悲剧。

简介：该片讲述了政玟,一个编剧，爱上了在一次出差路过的小客栈遇到的尤美，他一直不明白他们是在梦里还是现实发生的性关系的故事。

简介：（JAP文）1986年4月26日，切尔诺贝利核电站的一个核反应堆发生爆炸，年轻的俄共官员瓦莱里在获悉内部消息后，决定赶紧带着自己的女友维拉逃离此地。当日正值星期六，阳光明媚，人们纷纷外出享受周末，瓦莱里很快发现，这里有一种无形的力量，在阻止着自己离开……　　周六的普里皮亚季镇，街上熙熙攘攘，不少人逛街购物，孩子们在外玩耍，还有人举行婚礼，整座城市显得无忧无虑，与此同时，一场看不见的灾难正在蔓延。人们从来到这里的那一天起，就戴上了无形的手铐，而开锁的钥匙却早已不知所踪。瓦莱里先是丢了护照，接着又崴到脚踝，然后又错过了火车；维拉要在婚礼上献唱，但乐队的鼓手却早已喝得不省人事，无奈又拉上瓦莱里顶替上阵……婚礼渐进高潮，当灾难的消息传来，人们决定继续狂欢。伏特加开了一瓶又一瓶，人们希望陶醉在前一秒那个欢乐的时刻，哪怕这一刻转瞬即逝。　　所有人都记得，那是一个星期六，阳光明媚，绿草茵茵。然而一切都在那天定格。那本一个天真无邪的日子，但那一天，却有许多人被无情地卷入死亡的结局。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：After his father's death, the unemployed Aman returns to Kuala Lumpur and embarks illegally on a ride-hailing service, as he fails to obtain a driving license due to his color blindness. When his landlord chases him out of his rental accommodation, he ends up sleeping in his car. A chance encounter with Bella, a Chinese 'escort girl', grants Aman a temporary residence at her place. In return, she asks Aman to become her driver. As they become closer, Bella confides in Aman about her intention to leave Malaysia. Complications ensue when Bella finds herself pregnant and decides to have an abortion.